Transcendentalism in dead poets society assignment

Keating listens and asks Nell If he has ever been as sincere with his own father to which Nell responds, “ l can’t talk to him that way” to which Keating asks, “ Have you ever told your father what you just told me? About your passion for acting. You ever show him that? ” And Neil says sadly “ I can’t. ” Seating’s words encourage Nil’s individualism, and self-reliance: “ Then you’re acting for him, too. You’re playing the part of the dutiful son. I know this sounds impossible, but you have to talk to him. You have to show him who you are, what your heart is. Neil does not tell his father and lies to Keating. Mr.. Seating’s advice to Neil emulates the principle of civil disobedience as described in Henry David Thoreau excerpt from Civil Disobedience and Other Essays, “ If the Injustice is part of the necessary friction of the machine of overspent, let it go, let It go: perchance It will wear smooth–certainly the machine will wear out… But If It Is of such a nature that It requires you to be the agent of Injustice to another, then say, break the law. Let your life be a counter-friction to stop the machine.

What I have to do Is to see, at any rate, that I do not lend myself to the wrong which I condemn. ” unfortunately, Nil’s father does not give into son, Neil. In contrast, Charlie is a fugue in the movie that does stimulate some progress against the idealism. Furthermore, in the scene when Charlie makes up a phone call from God”, Henry David Thoreau principle of civil disobedience is also exemplified. Charlie’s uprising is to put out an article under the name of the Dead Poets Society demanding that girls be allowed to attend Walton. This is Charlie’s best moment. A general assembly is called and Mr..

Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood. ” The point articulated in this quotation is that one must not quarrel over the truths of their beliefs, but embrace them. Only once Knox learns to embrace his love for Chris Chris venerates his resolve and moves toward progression and rebirth. This scene reaffirms Knocks self-reliance.

In summary, the subject is the principles of transcendentalism from the 19th century, which were expressed in this movie. During the course of the movie, both destructive and constructive consequences of transcendentalism in a conformist, institutional setting transpire. Unfortunately, nothing essentially reformed with the institution, but the boys established knowledge that would supersede new ideas for coming generations. The movie itself provided quality entertainment for the untrained mind.