The red location museum in south africa

“ Critical regionalism is non merely regionalism in the sense of common architecture. It is a progressive attack to plan that seeks to intercede between the planetary and t [ 2 ] he local linguisticcommunicationof architecture.” ( Museum that brings… 2007 ) A museum is usually constructed for in reminiscence of a important happening of the site in which in the instance of the Red Location Museum, was constructed in memory of the apartheid epoch where they natives built their places utilizing local found stuffs as they were at a disadvantage due to the battle of the subjugation and no entree to any superior methods, as Heath ( 2009: 73 ) provinces

…the unbeatable constructions of power that defined the societal experience of apartheid and the promise of regained cultural individuality that the really premiss of a post-apartheid heritage museum nowadayss .

Architecture today needs to at some point distance itself every bit from the enlighten myth of advancement which is the optimism of advanced tech and every bit good as the ultraconservative and the unrealistic urges of the daring to return to the architectonic signifiers of a preindustrial yesteryear that include the regressive, nostalgic historicism or glib decorativeness ( GDC 2014 ) so that it does non wholly free its cultural individuality as enlightened myth of patterned advance could when over powering make a wholly new signifier which has significance of the intent that was embodied lost.

“ [ 4 ] arriere-garde, merely means to cultivate immune, identity-giving culture” ( GDC 2014 ) this does non back up common architecture and its stuffs because it resists to norms of the ways the indigens would build.

In decision the Red location Museum embodies Critical Regionalism as it has successfully met the demand to delight its local and international viewing audiences and site visitants for the ground that it caters for both international and local design. The design of the edifice is architecture of opposition as it can non be placed anyplace else in the universe because its significance is prevailing to Red Location in Eastern Cape South Africa “ The designers have deployed a straightforward, somewhat industrial aesthetic, which recalls the [ 6 ] ordinary stuffs that local people scrounged over the old ages to maintain out the rain and keep their hovels together, and besides the mills across the railway paths, where the ANC first organized among autoworkers.” A gold and ruddy tale… ( Findley 2011 ) and Frampton clearly stated that Regionalism of Liberation is said to be “ … The manifestation of a part that is particularly in melody with the emerging idea of the time” ( Frampton 2007: 320 ) , where it is labelled as ‘ regional’ “ because it hasn’t emerged elsewhere” . And Paul Ricour has said that “ The chief job of critical regionalism is to seek answers” to inquiry: “ How to be modern and to go on the tradition, how to resuscitate an old hibernating civilisation as portion of cosmopolitan civilization” and Jo Noero answered by saying that “ To create quality architecture, peculiarly societal architecture within complex communities, you need clip to decently understand the procedure and relationships ”

Kenneth Frampton 2007. Modern architecture: a critical history. Ch 5- Critical regionalism: modern architecture and cultural individuality

World Wide Web. Jastor. org/stable/142574