Ancient greeks: theatre as competition and ritual assignment

The actor spoke and acted as if he were the character, and he interacted with the chorus, who acted as narrators and commentators. Because of this, Thespis is considered the first Greek “ actor,” and his style of drama became known as “ tragedy,” which means ‘ goat song,’ possibly referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers (Ancient Greek Theater) Aeschylus introduced the antagonist, and Sophocles introduced a third actor. Plays with more realism and dialogue were written by Euripedes and Aristophanes (Drama 30).

Theatrical presentations had a religious element and attendance was practically compulsory. Because of this, the builders of Greek theaters had to provide enough space for large audiences . It is believed that the theatrical representations could have arisen from the substitution of an animal for a human sacrifice and, eventually, the formula of the sacrifice was enacted ritualistically without the actual sacrifice of the animal (The Greek Theatre). Plays were produced which could be seen as a formalistic representation of human sacrifice. An example of one of these representational plays is Oedipus the King by Sophocles.