Divine comedy assignment

The purpose of their little explanation still amounts to the same question as to why they are in Hell, albeit the negligible severity of their crimes or sins. But Dante weeps, as if injustice thrives within the levels of the suffering Hell. Here, it is likely that Dante thus proves there is a dichotomy between the unenlightened ignorance thriving upon lack of faith in God and the well- defined vivacity provided by God’s love, as he accept yet admonishes such stern punishments practiced in Hell. Dante is particularly pitiless with the fraudulent sinners: “ O Simon Magus!…

Rapacious ones, who take the things of God, / that ought to be the brides of Righteousness, / and make them fornicate for gold and silver! / The time has come to let the trumpet sound / for you… In the actual text, this quote is not marked with quotation marks; the absence of quoted language then implies that not only were the words not meant to be spoken as the opinion of the character Dante, but also it then again produces discrepancy with the rest of the poem, which is written in first person narrative. However, this is not the case.

Although sin becomes a strong foundation for his comedy, Dent’s Inferno, itself one piece f a literary trilogy repeatedly deploys the leitmotif of the number three as a metaphor for ambiguity, compromise, and transition. For example the leopard, lion, and she-wolf that menace Dante in his quest to get to the sunlight all illustrate different types of sin. Interpretations have parsed the leopard as a symbol of fraudulence, the lion as a symbol of pride, and the she-wolf as a symbol of avarice or greed, thus we see three levels of sin: incontinence, violence, and fraudulence-?? severity dictated by that order.

Dante gives the number three allegorical importance in terms of esthetics pleasure (ii 3 faces of Satan, 3 line poetry): “ Oh how amazed I was when I looked up and saw a head-?? one head wearing three faces” (34. 37). The incorporation of this numerical value presents an inverted trinity, his replica of society and the Catholic Church due to beliefs in the holy trinity, but it becomes apparent that Dante stages the entirety of The Divine Comedy as to prove that God’s divine justice is still administered in Hell.

Through the intense use Of language and objects carrying comparative meaning that are two-fold, Dante outlines a possible philosophical directive on how humans ought to live their lives in the temporal and post-mortem worlds. “ Do not be afraid; our fate Cannot be taken from us; it is a gift. ” Dante preaches that fate is adjudicated by the adherence to nature, but it is also by choice and lack of instinct that individuals determine their own fate. Thus, fate is an award for being human, and is the sign of God’s leverage over humanity, asserting his divine power.