Tullio lombardo high renaissance art essay

For instance, subject matter is presented in all his works. He was essentially a strong believer in story telling, therefore, his works always entailed a purpose and were symbolic in many ways. Most of his sculptures were telling stories about individuals, their joys and struggles in life. For example, one of my favorite double portraits in high relief, A Couple, seems to share with the audience a tragic love story of a married couple. They seem very disconnected as they were not making any eye contact and their bodies ultimately lacked unity and embrace. Iconography is used in Grieving Heroine, as Lombardo used a medallion to represent a famous ancient gem, and this ultimately gave a deeper meaning to the sculpture. As far as form is concerned, all of Lombardo’s sculptures are three-dimensional figures. In respect to composition, Lombardo uses white-on-white marble, and usually the figures are cut off beneath the bust creating a portrait-like sculpture.

In contrary, in Peace Establishing Her Reign, the bronze relief is most probably made in clay. According to my observations, the texture is evidently smoothed, polished, and shiny. When describing space, mass and volume, it would be correct to articulate that indeed, they are once again using three-dimensional space and are solid, marble statues. Lombardo’s statues seem very proportionate in size. For instance, the head is proportioned with the rest of the body as it exemplifies the flawless, god/goddess type of beauty.

Sunday, 05 July 2009. Kleiner, Fred. Art Through the Ages: The Western Perspective. Thirteenth Edition. Volume 1. Wadsworth Genage Learning.

2006. Gopnik, Blake. An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture. ” Washington Post. Friday, July 10, 2009. ———————– [1] Rubin. The National Gallery of Art exhibition of Venetian Renaissance Sculpture.