Muslim influence was the ground floor hip hop
Hip hop`s influence on islam assignment
It is conveyed in the article that these followers are believed to have no “ knowledge of self”, were bloodsuckers of the poor” and the remaining 5 % were esteemed to be those who thought/believed like himself and his followers. The “ poor, righteous teachers”, the ones who do possess knowledge of themselves, their origins, and the way the world system really Is (p 401). The highly regarded masses who made up the 5%, were acknowledged In a hip hop song by Www-Tang Clan, called “ Www-Revolution,” Forever, 1999.
This song was also well-timed, as this decade was obviously a time of great struggle for blacks in America. This was a message (very similar to the black primacies doctrines of the NON) that made black youths feel superior in a world where they were viewed as inferior. According to the article, Clarence XX received the nickname, “ Pudding” since he lyrics sung by Clarence XX(Pudding) were eloquent and a spell-binding usage of African-American slang. One of the first projects that emerged in 1974 out of New York was known as the Zulu Nation.
JET is quoted by saying, ” It’s almost like with Allah how he’ll describe his prophets as moonlight”. It is important to note, as stated in the article, not all sects within Islam welcome the comparisons between hip hop and the quo ‘ runic narratives due to their religious affiliations and (or) beliefs. For example, the more religious sects believe hat the words in the Quo ‘ ran should be chanted and not sung (p 406). Contrary to their orthodox counterparts, the younger Muslim generation does not share in this belief ideology. For them, hip hop was regarded as a, “ boost to their understanding of Islam” (p 407).
These moderate, younger, hip hop enthusiasts came to be known as the ” Generation M”. They uphold a traditional Islamic view and sing about current affairs subject in the West (p 411). In conclusion, the influence of Islam was very strong and evident. Thus, hip-hop, a baby at the time, was of course shaped by this as well. Hip-hop gave Black youth a littoral and a voice. Many admired the Muslim lifestyle, and were captivated by the Farmhand. Thus, many artists began to use their lyrical skills to speak on political issues and the problems in the black community.