The imitable sculptures

Upon examining the ” International Monument”, one can see that the sculpture is not flat, but has a depth of about four feet. The hands of the skeletons of the Jewish and Slavic races, which resemble the barbs on a barbed wire fence, are disheveled and snared in a way that demonstrates the human struggle to fight the pain and torment that was inflicted upon the victims of the various Nazi concentration camps.

The sculpture itself is said to stand approximately nineteen feet tall and forty-eight feet wide. With this being said, it is clear to pinpoint and recognize that this domineering structure in size symbolizes the withered, scrawny bodies of the prisoners who died of malnourishment and constant infection in the Dachau Concentration Camp. The sculpture is made up of a dark bronze pigmentation that features short strands of barbed wire on which skeletons are hanging with their heads flaccid harshly over the crossed fence, signifying callous distress and weakness to move.

Glid Nandor’s ” International Monument” illustrates how literature can connect both art and reality within its design if constructed in the most virtuous way possible, and his inimitable approach to conveying the feelings, perceptions, and actions of the Jewish and Slavic races during the Holocaust in his sculpture will forever and always be regarded as nothing short than brilliant amongst his fellow peers.