The sculpture bodhisattva

Despite the Eastern subject matter, there is little doubt that there is Western influence apparent in this piece. “ The art of this region experienced a type of merger with Greek influences after Alexander the Great conquered the region in the 4th century B. C. ” (Rowland, 1960, 8). An example of this found in the Bodhisattva is clear in the figure’s intricate robes. These types of folds are traditionally found in Greek and Roman artistic depictions. The drapery reminds the viewer of the togas worn by the figures in the sculptures of Roman imperials. The chest of the figure is also reminiscent of the merger of these two cultures.

It is a more realistic portrayal with the muscular indentations found upon the figure’s chest. Eastern portrayals had less defined bodies in their works. The Indian traditions of the sculpture are displayed in the figure’s mustache and the dhori that he wears. The dual influences of this work made the most significant impact upon me. It is rare to see a piece that has such obvious Eastern and Western elements found in the manifestation. This cross-cultural work is a harmonious interpretation of a strong spiritual figure. Additionally, it has a strong religious impact.