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Engli 1102 English Composition 2 Assessment Answers

The work of avant-garde poet Mina Loy and viewing the work of performance artist Laurie Anderson. A current project right now devoted to Mina Loy's work invites digital postcards interpreting what the authors of this project call En Dehors Garde, or a more encompassing theory of the avant-garde with a title drawn from ballet.
 
The avant-garde is a term from the military, one that describes the troops before the troops, or in art, that which is so new that it changes how we think about art. Both Loy and Anderson demonstrate this kind of work, always innovating and thinking 'outside the box.' 

Answer:

En Dehors Garde Rehabilitation from Avant-Grade Theory

A new feminist theory encompassing the old avant-garde describes a new term “en dehors garde”. En Dehors Garde, “toward the outside,” implies that female artists have the peril of becoming who they want to be in a world characterized by male dominance. En Dehors,”from the outside,” is a classical dancing movement, a rehabilitation of the avant-garde ballet dance that is featured by pointe shoes with reinforced toes. "Toward the outside," signals the feminist movement of 'thinking out of the box' and stepping up to compete with tribalism and racism. Avant-garde in the military was an oppositional movement, which portrays a limitation to people of color, opposition to predominant culture, women artists, and disabled artists. En Dehors Garde, the new feminist ideology enabled the marginalized to enjoy privileges from art institutions and got a way ahead to transform objecting cultures that hindered them from performing work of arts(Loy, 2017).

In ballet dance, avant-garde movement took predominance of which, it did bracket some from showcasing and pursuing their careers. In a career conversation, a discussion was underway where a female scholar opted to 'think outside' her career and pursued a profession as a ballet dancer (Loy, 2017).

Laurie Anderson overcame all odds to become a profession in language, art projects, and visual imagery (Anderson). Anderson pioneered the tape-bow violin and became the first person to engineer electronic music.  “Loy’s avant-garde theories are meant to inform the current understandings of the historical avant-gardes” (Loy, 2017). In an observation made by Mina Loy, Picasso disruptive art was opposed in an ethical manner; the modern revolution is to extend redemption of the original work (Loy, 2017).

Much of Aleksei Lubimov work is not accessible by many of her followers. However, she is a pianolist in the renaissance era.  She is one of the artists who resonated with the Russian Clavichords. As a female artist she, through art institutions enjoyed a profession among masculine players such as Giovanni. She performed Russian Keyboard works in a way that foresaw a new feminist theory.

Anderson became a widely known artist after her "O Superman" hit second on UK pop charts. Anderson works revolved around the playing the violin, poetry, and pianolist. In the year 1978, Laurie Anderson performed in the conference, The Nova Convention, engaging many culture figures and prominent Avant-garde artists.

In” Delusions of Whiteness in the Avant-Garde,” Hong provokes the avant-garde as a product that is representative of a dominance of white privileges (Loy). According to Hong, avant-garde delusive ideology was a misuse of identity where a masculine of European blood could take the various form of identities. In the process, others were harassed and continuously surveilled and deported. Pollock supports this by identifying avant-garde as a pattern that distances itself from the normal social and cultural pattern.

The Russian Clavichords by Aleksei Lubimov is a manifestation of the tribulations potential female artists passed through so as to fulfill an artistic profession; the same with Laurie Anderson. The Avant-garde representation to object the feminist phenomena and a proprietor of racism was altogether a bad approach. En Dehors Garde came as a collaboration of the otherwise old-fashioned avant-garde ballet dance.

References

Storey, John. Cultural theory and popular culture : an introduction. London New York: Routledge, 2015. Print.

Mina Loy: Navigating the Avant-Garde. Edited by Suzanne W. Churchill et al. Davidson

College, 2017. mina-loy.com. Accessed [day-month-year]. https://mina-loy.com/avant-garde-theory-2/works-cited/

Lubimov, Aleksei: Russian Clavichords of the XVIII Century.Musique

Fnac.https://musique.fnac.com/mp3129506/Russian-Clavichords-of-The-XVIII-Century:


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